Humphries who was then the most eminent boxer in England. He offered to train Mendoza and his young pupil was quick to learn. In fact, Mendoza soon became so successful that Humphries turned against him. The two men quarrelled bitterly and it was clear that the argument could only be settled by a fight. A match was held at Stilton where both men fought for an hour. The public bet a great deal of money on Mendoza, but he was defeated. Mendoza met Humphries in the ring on a later occasion and he lost for a second time. It was not until his third match in 1790 that he finally beat Humphries and became Champion of England. Meanwhile, he founded a highly successful Academy and even Lord Byron became one of his pupils. He earned enormous sums of money and was paid as much as &100 for a single appearance. Despite this, he was so extravagant that he was always in debt. After he was defeated by a boxer called Gentleman Jackson, he was quickly forgotten. He was sent to prison for failing to pay his debts and died in poverty in 1836. 两百年前，拳击比赛在英国非常盛行。当时，拳击手们不戴手套，为争夺奖金而搏斗。因此，他们被称作“职业拳击手”。不过，拳击是十分野蛮的，因为当时没有任何比赛规则，职业拳击手有可能在比赛中受重伤，甚至丧命。
拳击史上最引人注目的人物之一是丹尼尔.门多萨，他生于1764年。1860年昆斯伯里侯爵第一次为拳击比赛制定了规则，拳击比赛这才用上了手套。虽然门多萨严格来讲不过是个职业拳击手，但在把这种粗野的拳击变成一种体育运动方面，他作出了重大贡献。是他把科学引进了这项运动。门多萨在的全盛时期深受大家欢迎，无论是富人还是穷人都对他祟拜备至。 门多萨在14岁时参加一场拳击赛后一举成名。这引起当时英国拳坛名将理查德.汉弗莱斯的注意。他主动提出教授门多萨，而年少的门多萨一学就会。事实上，门多萨不久便名声大振，致使汉弗莱斯与他反目为敌。两个人争吵不休，显而易见，只有较量一番才能解决问题。于是两人在斯蒂尔顿设下赛场，厮打了一个小时。公众把大笔赌注下到了门多萨身上，但他却输了。后来，门多萨与汉弗莱斯再次在拳击场上较量，门多萨又输了一场。直到1790年他们第3次对垒，门多萨才终于击败汉弗莱斯，成了全英拳击冠军。同时，他建立了一所拳击学校，办得很成功，连拜伦勋爵也成了他的学生。门多萨挣来大笔大笔的钱，一次出场费就多可达100英镑。尽管收入不少，但他挥霍无度，经常债台高筑。他在被一个叫杰克逊绅士的拳击手击败后很快被遗忘。他因无力还债而被捕入狱，最后于1836年在贫困中死去。
Lesson22 By heart
Some plays are so successful that they run for years on end. In many ways, this is unfortunate for the poor actors who are required to go on repeating the same lines night after night. One would expect them to know their parts by heart and never have cause to falter. Yet this is not always the case.
A famous actor in a highly successful play was once cast in the role of an aristocrat who had been imprisoned in the Bastille for twenty years. In the last act, a gaoler would always come on to
the stage with a letter which he would hand to the prisoner. Even though the noble was expected to read the letter at each performance, he always insisted that it should be written out in full. One night, the gaoler decided to play a joke on his colleague to find out if, after so many performances, he had managed to learn the contents of the letter by heart. The curtain went up on the final act of the play and revealed the aristocrat sitting alone behind bars in his dark cell. Just then, the
gaoler appeared with the precious letter in his hands. He entered the cell and presented the letter to the aristocrat. But the copy he gave him had not been written out in full as usual. It was simply a blank sheet of paper. The gaoler looked on eagerly, anxious to see if his fellow-actor had at last learnt his lines. The noble stared at the blank sheet of paper for a few seconds. Then, squinting his eyes, he said: 'The light is dim. Read the letter to me.' And he promptly handed the sheet of paper to the gaoler. Finding that he could not remember a word of the letter either, the gaoler replied: 'The light is indeed dim, sire. I must get my glasses.' With this, he hurried off the stage. Much to the aristocrat's amusement, the gaoler returned a few moments later with a pair of glasses and the usual copy of the letter which he proceeded to read to the prisoner.
有些剧目十分成功，以致连续上演好几年。这样一来，可怜的演员们可倒霉了。因为他们需要一夜连着一夜地重复同样的台词。人们以为，这些演员一定会把台词背得烂熟，绝不会临场结巴的，但情况却并不总是这样。
有一位名演员曾在一出极为成功的剧目中扮演一个贵族角色，这个贵族已在巴士底狱被关押了20年。在最后一幕中，狱卒手持一封信上场，然后将信交给狱中那位贵族。尽管那个贵族每场戏都得念一遍那封信。但他还是坚持要求将信的全文写在信纸上。
一天晚上，狱卒决定与他的同事开一个玩笑，看看他反复演出这么多场之后，是否已将信的内容记熟了。大幕拉开，最后一幕戏开演，贵族独自一人坐在铁窗后阴暗的牢房里。这时狱卒上场，手里拿着那封珍贵的信。狱卒走进牢房，将信交给贵族。但这回狱卒给贵族的信没有像往常那样把全文写全，而是一张白纸。狱卒热切地观察着，急于想了解他的同事是否记熟了台词。贵族盯着纸看了几秒钟，然后，眼珠一转，说道：“光线太暗，请给我读一下这封信。”说完，他一下子把信递给狱卒。狱卒发现自己连一个字也记不住，于是便说：“陛下，这儿光线的确太暗了，我得去眼镜拿来。”他一边说着，一边匆匆下台。贵族感到非常好笑的是：一会儿工夫，狱卒重新登台，拿来一副眼镜以及平时使用的那封信，然后为那囚犯念了起来。
Lesson23 One man’s meat is another man’s poison
People become quite illogical when they try to decide what can be eaten and what cannot be eaten. If you lived in the Mediterranean, for instance, you would consider octopus a great delicacy. You would not be able to understand why some people find it repulsive. On the other hand, your stomach would turn at the idea of frying potatoes in animal fat-- the normally accepted practice in many northern countries. The sad truth is that most of us have been brought up to eat certain foods and we stick to them all our lives.
No creature has received more praise and abuse than the common garden snail. Cooked in wine, snails are a great luxury in various parts of the world. There are countless people who, ever since their early years, have learned to associate snails with food. My friend, Robert, lives in a country where snails are despised. As his flat is in a large town, he has no garden of his own. For years he has been asking me to collect snails from my garden and take them to him. The idea never appealed to me very much, but one day, after a heavy shower, I happened to be walking in my garden when I noticed a huge number of snails taking a stroll on some of my prize plants. Acting on a sudden impulse, I collected several dozen, put them in a paper
bag, and took them to Robert. Robert was delighted to see me and equally pleased with my little gift. I left the bag in the
hall and Robert and I went into the living-room where we talked for a couple of hours. I had forgotten all about the snails when Robert suddenly said that I must stay to dinner. Snails would, of course, be the main dish. I did not fancy the idea and I reluctantly followed Robert out of the room. To our dismay, we saw that there were snails everywhere: they had escaped from the paper bag and had taken complete possession of the hall! I have never been able to look at a snail since then. 在决定什么能吃而什么不能吃的时候，人们往往变得不合情理。比如，如果你住在地中海地区，你会把章鱼视作是美味佳肴，同时不能理解为什么有人一见章鱼就恶心。另一方面，你一想到动物油炸土豆就会反胃，但这在北方许多国家却是一种普通的烹任方法。不无遗憾的是， 我们中的大部分人，生来就只吃某几种食品，而且一辈子都这样。
没有一种生物所受到的赞美和厌恶会超过花园里常见的蜗牛了。蜗牛加酒烧煮后，便成了世界上许多地方的一道珍奇的名菜。有不计其数的人们从小就知道蜗牛可做菜。但我的朋友罗伯特却住在一个厌恶蜗牛的国家中。他住在大城市里的一所公寓里，没有自己的花园。多年来，他一直让我把我园子里的蜗牛收集起来给他捎去。一开始，他的这一想法没有引起我多大兴趣。后来有一天，一场大雨后，我在花园里漫无目的散步，突然注意到许许多多蜗牛在我的一些心爱的花木上慢悠悠的蠕动着。我一时冲动，逮了几十只，装进一只纸袋里，带着去找罗伯特。罗伯特见到我很高兴，对我的薄礼也感到满意。我把纸袋放在门厅里，与罗伯特一起进了起居室，在那里聊了好几个钟头。我把蜗牛的事已忘得一干二净，罗伯特突然提出一定要我留下来吃晚饭，这才提醒了我。蜗牛当然是道主菜。我并不喜欢这个主意，所以我勉强跟着罗伯特走进了起居室。使我们惊愕的是门厅里到处爬满了蜗牛：它们从纸袋里逃了出来，爬得满厅都是！从那以后，我再也不能看一眼蜗牛了。
Lesson24 A skeleton in the cupboard
We often read in novels how a seemingly respectable person or family has some terrible secret which has been concealed from strangers for years. The English language possesses a vivid saying to describe this sort of situation. The terrible secret is called 'a skeleton in the cup board '. At some dramatic moment in the story the terrible secret becomes known and a reputation is ruined. The reader's hair stands on end when he reads in the final pages of the novel that the heroine, a dear old lady who had always been so kind to everybody, had, in her youth, poisoned every one of her five husbands.
It is all very well for such things to occur in fiction. To varying degrees, we all have secrets which we do not want even our closest friends to learn, but few of us have skeletons in the cupboard. The only person I know who has a skeleton in the cupboard is George Carlton, and he is very proud of the fact. George studied medicine in his youth. Instead of becoming a doctor, however, he became a successful writer of detective stories. I once spent an uncomfortable week-end which I shall never forget at his house. George showed me to the guestroom which, he said, was rarely used. He told me to unpack my things and then come down to dinner. After I had stacked my shirts and underclothes in two empty drawers, I decided to hang in the cupboard one of the two suits I had brought with me. I opened the cupboard door and then stood in front of it petrified. A skeleton was
dangling before my eyes. The sudden movement of the door made it sway slightly and it gave me the impression that it was about to leap out at me. Dropping my suit, I dashed downstairs to tell George. This was worse than 'a terrible secret'; this was a real skeleton ! But George was unsympathetic. 'Oh, that,' he said with a smile as if he were talking about an old friend. 'That's Sebastian. You forget that I was a medical student once upon a time.'
在小说中，我们经常读到一个表面上受人尊重的人物或家庭，却有着某种多年不为人所知的骇人听闻的秘密。英语中有一个生动的说法来形容这种情况。惊人的秘密称作“柜中骷髅”。在小说的某个戏剧性时刻，可怕的秘密泄漏出来，接着便是某人的声誉扫地。当读者到小说最后几页了解到书中女主人公，那位一向待大家很好的可爱的老妇人年轻时一连毒死了她的5个丈夫时，不禁会毛骨悚然。
这种事发生在小说中是无可非议的。尽管我们人人都有各种大小秘密。连最亲密的朋友都不愿让他们知道， 但我们当中极少有人有柜中骷髅。我所认识的唯一的在柜中藏骷嵝的人便是乔治.卡尔顿，他甚至引以为自豪。乔治年轻时学过医，然而，他后来没当上医生，却成了一位成功的侦探小说作家。有一次，我在他家里度周末，过得很不愉快。这事我永远不会忘记。乔治把我领进客房，说这间很少使用。他让我打开行装后下楼吃饭。我将衬衫、内衣放进两个空抽屉里，然后我想把随身带来的两套西服中的一套挂到大衣柜里去。我打开柜门，站在柜门前一下惊呆了。一具骷髅悬挂在眼前，由于柜门突然打开，它也随之轻微摇晃起来，让我觉得它好像马上要跳出柜门朝我扑过来似的。我扔下西服冲下楼去告诉乔治。这是比“骇人听闻的秘密”更加惊人的东西，这是一具真正的骷髅啊！但乔治却无动于衷。“噢，是它呀！他笑着说道，俨然在谈论一位老朋友。“那是塞巴斯蒂安。你忘了我以前是学医的了。”
Lesson25 The Cutty Sark
One of the most famous sailing ships of the nineteenth century, the Cutty Sark, can still be seen at Greenwich. She stands on dry land and is visited by thousands of people each year. She serves as an impressive reminder of the great ships of the past. Before they were replaced by steam-ships, sailing vessels like the Cutty Sark were used to carry tea from China and wool from Australia. The Cutty Sark was one of the fastest sailing ships that has ever been built. The only other ship to match her was the Thermopylae. Both these ships set out from Shanghai on June 18th, 1872 on an exciting race to England. This race, which went on for exactly four months, was the last of its kind. It marked the end of the great tradition of ships with sails and the beginning of a new era. The first of the two ships to reach Java after the race had begun was the Thermopylae, but on the Indian Ocean, the Cutty Sark took the lead. It seemed certain that she would be the first ship home, but during the race she had a lot of bad luck. In August, she was struck by a very heavy storm during which her rudder was torn away. The Cutty Sark rolled from side to side and it became impossible to steer her. A temporary rudder was made on board from spare planks and it was fitted with great difficulty. This greatly reduced the speed of the ship, for there was danger that if she travelled too quickly, this rudder would be torn away as well. Because of this, the Cutty Sark lost her lead. After crossing the equator , the captain called in at a port to have a new rudder fitted, but by now the Thermopylae was over five hundred miles ahead. Though the new rudder was fitted at tremendous speed, it was impossible for the Cutty Sark to win. She arrived in
England a week after the Thermopylae. Even this was remarkable, considering that she had had so many delays. There is no doubt that if she had not lost her rudder she would have won the race easily.
人们在格林威治仍可看到19世纪最有名的帆船之一“卡蒂萨克”号。它停在陆地上，每年接待成千上万的参观者。它给人们留下深刻的印象，使人们回忆起历史上的巨型帆船，在蒸汽船取代帆船之前。“卡蒂萨克”号之类的帆船被用来从中国运回茶叶，从澳大利亚运回羊毛。“卡蒂萨克”号是帆船制造史上建造的最快的一艘帆船。唯一可以与之一比高低的是“塞姆皮雷”号帆船。两船于1872年6月18日同时从上海启航驶往英国，途中展开了一场激烈的比赛。这场比赛持续了整整4个月，是这类比赛中的最后一次，它标志着帆船伟大传统的结束与一个新纪元的开始。
比赛开始后，“赛姆皮雷”号率先抵达爪哇岛。但在印度洋上，“卡萨萨克”号驶到了前面。看来，它首先返抵英国是确信无疑的了，但它却在比赛中连遭厄运。8月份“卡蒂萨克”号遭到一场特大风暴的袭击，失去了一只舵。船身左右摇晃，无法操纵。船员用备用的木板在船上赶制了一只应急用的舵，并克服重重困难将舵安装就位，这样一来，大大降低了船的航速。因为船不能开得太快，否则就有危险，应急舵也会被刮走。因为这个缘故，“卡蒂萨克”号落到了后面。跨越赤道后，船长将船停靠在一个港口，在那儿换了一只舵。但此时，“赛姆皮雷”号早已在500多英里之遥了。尽管换装新舵时分秒必争，但“卡蒂萨克”号已经不可能取胜了，它抵达英国时比“塞姆皮雷”号晚了1个星期。但考虑到路上的多次耽搁，这个成绩也已很不容易了。毫无疑问，如果中途没有失去舵， “卡帝萨克”号肯定能在比赛中轻易夺冠。
Lesson26 Wanted: a large biscuit tin
No one can avoid being influenced by advertisements. Much as we may pride ourselves on our good taste, we are no longer free to choose the things we want, for advertising exerts a subtle influence on us. In their efforts to persuade us to buy this or that product, advertisers have made a close study of human nature and have classified all our little weaknesses. Advertisers discovered years ago that all of us love to get something for nothing. An advertisement which begins with the magic word FREE can rarely go wrong. These days, advertisers not only offer free samples but free cars, free houses, and free trips round the world as well. They devise hundreds of competitions which will enable us to win huge sums of money. Radio and television have made it possible for advertisers to capture the attention of millions of people in this way. During a radio programme, a company of biscuit manufacturers once asked listeners to bake biscuits and send them to their factory. They offered to pay $2 a pound for the biggest biscuit baked by a listener. The response to this competition was tremendous. Before long, biscuits of all shapes and sizes began arriving at the factory. One lady brought in a biscuit on a wheelbarrow. It weighed nearly 500 pounds. A little later, a man came along with a biscuit which occupied the whole boot of his car. All the biscuits that were sent were carefully weighed. The largest was 713 pounds. It seemed certain that this would win the prize. But just before the competition closed, a lorry arrived at the factory with a truly colossal biscuit which weighed 2400 pounds. It had been baked by a college student who had used over 1000 pounds of flour, 800 pounds of sugar, 200 pounds of fat, and 400 pounds of various other ingredients. It was so heavy that a crane had to be used to remove it from the lorry. The manufacturers had to pay
新概念英语第三册课文及翻译1
