1¡¢Benjamin Franklin±¾½ÜÃ÷¡¤¸»À¼¿ËÁÖ£¨1706-1790£© he is the only good American author before the Revolutionary War and he is the only one in the colonial period.
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Thomas Paine ÍÐÂí˹¡¤ÅåÒò£¨1737-1809£©Ó¢¹úÈËÃñ½«ËûÊÓΪ¡°×îÊÜ°®´÷¡±µÄ¡°ÕþÂÛ¼Ò¡±£¬ËûµÄÊé¡°±»¿´×÷ÇîÈ˵ÄÊ¥¾¡±¡£ÄÃÆÆÂسÆËûΪ¡°¹²ºÍ¹úµÄ»ð¾æ£¬Ò»Çд«ÆæÖÐ×îΰ´óµÄÈËÎ¡£
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Thomas Jefferson ÍÐÂí˹¡¤½Ü¸¥Ñ·(1743-1826)
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Freneau ·ÆÀûÆÕ¡¤·ÑÈðŵ(1752-1832)Father of American Poetry\Ö®¸¸£¬ÕþÖη½ÃæµÄÐÂÎżÇÕß
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д×÷Ìص㣺 the poems of Freneau fall mainly into two categories, one of description of nature, and one of expression of his political ideas.
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Irving»ªÊ¢¶Ù.Å·ÎÄ£¨1783-1859)the father of American literaturethe first great belletrist µÚÒ»¸ö´¿ÎÄѧ×÷¼Ò£¬ÃÀ¹úµÚһλÀËÂþÖ÷ÒåÉ¢ÎÄÎÄÌå×÷¼Ò£¬ÖØÕñÁËûÂäµÄ¸çÌØʽÀËÂþÖ÷ÒåС˵¡£
д×÷Ìص㣺1. Humorous: the function of his writing is to amuse, to entertain instead of teaching or instruction 2. Vivid and true character portrayal
3. Finished (refined) and musical language, thus regarded as ¡°the Amn. Goldsmith¡±£®
James Fennimore Cooper ղķ˹.·ÒÄáĪ.¿âçê(1789-1851)³¤ÆªÐ¡ËµÖ®¸¸£¬¿ª´´Á˱߽®´«ÆæС˵ºÍº£ÉÏ´«ÆæС˵¡£
д×÷Ìص㣺1. Strong points: we can see a variety of incidents and tensions, complicated plot and structure and a beautiful description of nature. 2. Weak points: characterization is weak. There is unsatisfactory description of characters (esp. female). He is not free from syntactical awkwardness, heavy-handed attempt at humor. ¡°Where
Irving excels Cooper is weak.¡± Dialect is not authentic.
Cullen Bryant ÍþÁ®.¿¨Â×.²¼À³¶÷ÌØ(1794-1878)a poet of nature¡°American Wordsworth¡±£¬µÚÒ»¸ö»ñµÃÃÀ¹úÖ÷ҪʫÈ˳ƺŵÄ×÷¼Ò¡£
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His works demonstrate some British influence and characteristics.
He was good at using blank verse.ÎÞÔÏÊ«Ìå
He possessed a simple dignity and an impeccable, restrained style.
American
Allan Poe ˵֮¸¸
°£µÂ¼Ó.°¢Â×.ÆÂ(1809-1849) father of detective novel¶ÌƪС
Ìص㣺1. Brevity
2. Single effect
3. Originality in theme
Ralph Waldo Emersion À¶û·ò.ÎÖ¶û¶à.°®Ä¬Éú(1803-1882)ÃÀ¹úµÄ¿××Ó¡¢ÃÀ¹úÎÄÃ÷Ö®¸¸£¬ÑéÖ÷ÒåÒýÈëÐÂÓ¢¸ñÀ¼µÄÏÈÇý¡£
Ìص㣺 to restate illustrations quality(¾¯¾äʽ·ç¸ñ)
David Thoreau ºàÀû.´÷ά.ËóÂÞ(1817-1862)19ÊÀ¼ÍÃÀ¹ú½Ü³öµÄ˼Ïë¼ÒºÍÎÄѧ¼Ò
Ìص㣺1.ÎÄÕ¼ò½àÏ´Á·£¬´¿ÆÓ×ÔÈ»£¬¸»ÓÐŨºñµÄÉú»îÆøÏ¢ 2.ÒâÏóÖ÷Ҫѡ×ÔÉñ»°ºÍ¼ÀÀñ£¬Æ«°®¹Å´úÉñÁ飬¶«·½Ó¢ÐÛ£¬Ï£À°¡¢ÂÞÂíºÍ˹¿°µÏÄÉάÑǵÄÎÄ»¯¡£
Nathaniel Hawthorne ÄÉÈøÄá¶û.»ôÉ£ (1804-1864)a great novelist,µÄ¿ª´´Õß
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Ìص㣺1. Unique gift was for the creation of strongly symbolic stories which touch the deepest roots of man¡¯s moral nature. ¶ÀÌزÅÄÜÖ÷Òª±íÏÖÔÚËûÄܹ»Í¨¹ýһЩ¼«¾ßÏóÕ÷ÒâÒåµÄ¹ÊÊÂÀ´´¥ÃþÈËÀàÁé»êÉî´¦µÄµÀµÂÆ·ÖÊ¡£
2. His ability to create vivid and symbolic images that embody great moral questions appears strongly in his short stories. ¶ÌƪС˵Àͨ¹ý»îÉúÉú¡¢¼«¾ßÓÐÏóÕ÷ÒâÒåµÄÏëÏóÀ´ÌåÏÖÈËÀàÉç»áµÄһЩÖØ´óµÀµÂÎÊÌâ¡£
3. to make a story exist in its own right but at the same time appear as a moral symbol.½Ü³öÖ®´¦ÔÚÓÚËûÄÜ°ÑÒ»¸ö¹ÊÊ°²·ÅÔÚ×Ô¼ºÉèÖõÄÕýÒå±ê×¼Ö®ÖÐÀ´½²Êö£¬ËûÊéÖеÄÕýÒå±ê×¼³ÉΪµ±Ê±ÈËÃǵĵÀµÂ²Î¿¼¡£
Melville ºÕ¶ûÂü.Âó¶ûά¶û(1819-1891)novelist and poet
Wadsworth Longfellow ºàÀû.ÎÖ×ÈÎÖ˼.ÀÊ·ÑÂÞ(1807-82) American poet who has his bust put in Poet¡¯s Corner in Westminster Abbey. most popular poet in the 19th century schoolroom poet (academic)
Ìص㣺The gentleness, sweetness, and purity